Portfolio · 12 works · South Florida

The work, by typology.

A limestone mass wall holds the afternoon; the rooms hold the breeze.

Living floors lifted four feet over the flood datum, without a single step feeling like a levee.

A brise-soleil deep enough to be a room, facing the bay it borrows.

A working boathouse that closes like a sea chest and opens like a porch.

A public sundial you can stand inside: the studio's namesake, built.

A 180-seat recital room tuned like a courtyard: hard stone, soft light.

A 1954 bindery kept its bones and got new lungs: sawtooth monitors over maker floors.

Preservation research: four reversible futures for the village outbuildings.

A public sailing hall that breathes like a sail loft and closes like a hangar.

Research on the bay's stilt houses: how a structure lives over water for another century.

A one-room branch library built around the tree it refuses to remove.

A 1962 motor court kept its neon bones and is becoming twenty studios for artists.